Back to Audacity. "Why use an outboard audio EQ with that rig when there is a damn good EQ built tight in?". The results have been gratifying for DX pileups and contesting. Third filter 2400 Hz Menu 097 Frequency Save your settings each time. I have used a receiver with attenuator bank and audacity for a few years now. Download . This voltage must be blocked for use of Heil Sound dynamic elements. W2IHY 8 BAND EQ and EQPlus settings for the Yaesu FTDX-2000. The mid frequency is very important. ALWAYS remember to hold the MENU button for about 3 seconds to save any of these needed items. Contact the site with comments or questions. You're right, 'it ain't rocket science' & i use the transmit monitor to listen to myself as well. Investing in outboard gear has become common place. 125 -6. To achieve this, you will need to use our PR 20, PR 781, PR 30 or PR 40 microphones. Internal EQ Settings in PowerSDR: EQ 10 Band (internal settings) External EQ recomended. There will be three important frequencies to attend to. Ehh. Parametric Eq frequency/level/bandwidth settings are; 200/9/5, 1500/5/5, 2700/5/5. Many calls a day come through the Heil Sound facility with RF issues." All of my Icom friends got the same headset when they tried mine! The 7300 is a terrific value. Further, nothing is said about how to use the microphone, which is another issue almost no one gets right. While speaking into the mic make sure the gain setting does not exceed the ALC limit. Also, you dont have the benefit of hearing all the net effects of AGC, etc., like other stations receivers, are employing. Note that the mics and boom sets using the HC-5 elements (GM-5, Pro Set 5, etc.) YAESU FT-950 OPERATING MANUAL Pdf Download | ManualsLib If you need any help, we are glad to assist you with writing your article based on the information you supply. Finally, if you have the ability to select the SSB bandwidth of the monitor receiver, set it as wide as possible. Jeez that's sounds like an awful lot of work. IMO if you are using the Yaesu HH mic, use position #2 on the back. Yaesu ftdx1200 EQ settings & W2IHY. As always listen to your test signal through headphones connected to a second receiver. You want to boost that frequency, you adjust it to + 10dB. W3RJW's FT DX -5000/FTdx-3000 Audio EQ Settings Now, I will explain how I arrived at these settings which are . . Edit: Yaesu MD-100: Main->Filt, High emphasis->on, low cut->off. 98. Start with Menu 4-4 (TR EDSP) set to off. Be sure to read the chapter "Parametric Microphone Equalizer" in your YAESU transceiver operating manual. ??? To use any dynamic element on these phantom-powered inputs (which should NEVER be applied to the mic input of a radio transmitter, IMHO), the input must be de-coupled so the mic audio AC signal can pass through to the mic preamp, while simultaneously blocking the DC voltage from reaching that mic element. Keep in mind this will have much more output and may overdrive the mic preamp so keep ALC in range.See pages 13 and 20 of the K3 Operating Manual. Menu 091 Frequency. WB Audio Section: K6JRF 04/14/2020 Further, nothing is said about how to use the microphone, which is another issue almost no one gets right. Again, nice article. I use the RA200 with an Icom 7300 and get great results with no "dog house" box. I've been given unsolicited, "great audio" reports as a result of using this audio adjustment method. dumb question as audio is not my real bag - but, does any of this pertain to my usage of the Yaesu md100 mic? Just rename each file configuration when saving (DX, low cut, high cut etc.) You must listen to yourself through it monitor system or through a nearby receiver and headphones. The above settings are for normal operation. The iCOM 718 is a terrific value. The assignment numbers are different but the levels are the same. Try mic gain at 30 and processor at 25 and talk about 3-4" from the mic. My settings are as follows; mic gain @ 25, processor is "on" @ 25. Yaesu FT-9000 TTBF Settings for eSSB: (4kHz BW) 1) Turn off the 9000 via front panel switch. Low end, Mid Range, and Highs. This HAS to be shown as it turns the parametric EQ on. For stunning hand mic performance theHMM-iCwith the AD-1 i. Please read pages 35-36, and page 60, of the K3 Operating Manual, in particular, for more details of these subjects. Already in the battery box is a load resistor & 1 uF capacitor.The headset can be plugged directly into your PC without the battery box. There is usually some craziness that happens around 400 Hz. There are three audio filters that you can change their PARAMETERS (thus Parametric EQ). The AD-1-I and AD-1-IM include blocking capacitors that prevent the phantom power supplied by the radio from affecting the performance of the dynamic elements. Low end, Mid Range and Highs. Use the same settings for the Processor On menu items. INITIAL SETTING OF THE FT 950 and HEIL PR microphoneFirst, you need to set the transmit bandwidth. For best results please consult your owners manual. Here is what needs to be added to the 8 pin connector to make that electret condenser work. 63 +6. A solid mic, if you EQ properly Time Owned: more than 12 months. heilhamradio.com lists some Parametric settings (MIC EQ and PROC OFF), but none for P Parametric (MIC EQ ON and PROC=35). Set to +10 dB for DX/Contest work.SSB TX BW: Set to 400-2600 Hz for DX/Contest work, 300-2700 Hz for everyday operation, 100-2900 Hz for more fidelity. Check with your Owners Manual for the menu numbers for your particular transmitter. You can listen through headphones through the monitor but I have always found it better to listen through headphones through a second receiver while transmitting into a dummy load. The suggested level settings will be the same but the actual menu assignment labels are different.EQ1: -6 dB at 200 Hz, Bandwidth of 2 (set to -10 dB if using PR 40 and you get Reports of too much bass).EQ2: -6 dB at 900 Hz, Bandwidth of 2.EQ3: +6 dB at 2400 Hz, Bandwidth of 2. A few tweaks in the Icom menu is all that is needed to adjust bass and treble to YOUR taste. On Yaesu FTDX 3000 (and similar radios), please try the following settings for the compressed mic menus, which are 159 to 176 on the FTDX3000: P-EQ1 FREQ 200 (adjust the low bass freq center point in Hz. and have the parametric 'Bandwidth' control set to a wider setting (say 10), the filter will encompass the audio frequencies from about 100 Hz to 400 Hz. The first low frequency filter removes all of that low end bass that destroys so many signals. Use 2.4 kHz if thats all you have, but 2.8 kHz, 3.1 kHz, or even 6 kHz will be better. Convert power to dB. Some nasty-sounding stuff, not to mention the deleterious tissue-heating effects on everyone so exposed. Flex and Apache units do very well or a real spectrum analyzer. The Heil Sound GM-4/GM-5 microphones, Pro Set 4/5 and similar boom sets, and other such mics using built-in enhancement of treble and roll-off of bass may not need any adjustment on the high-frequency side for local rag-chewing; however, depending on your voice and the degree of fidelity desired, you may want to add some bass response for local work. Well written and thank you for sharing. AMC level: 55. Truly a game-changer in the amateur radio transceiver market. I use an MD 100 desk mike. Do you have a wide range studio or broadcast microphone, or perhaps one of Heil Sounds high-articulation microphones using the HC-4 or HC-5 elements? Good memories and thanks for the article. The BIG problem with this is when you try using a REAL (dynamic) microphone. No apparent reason but it is true. Set the Transmit Bandwidth to Wide (100-2900 Hz), and you will be the talk of the band! The Elecraft operation manuals are the best in the business and we highly recommend you read them thoroughly before making any adjustments or operating the transceivers. You then will tell the filter to roll that off or notch that 200 Hz. The PR 781 dynamic microphone, which sounds simply wonderful on modern iCOMs. Well after reading the article it makes me scratch my head and ask myself WHY? Oddly, the word gain doesn't appear in the text. Try doing opening it all way up. Another checkbook issue. Yaesu MH31 Only took a few minutes to get the EQ set for my voice. However, the process became a hobby in itself. They have lots of bass, no mids, no articulate highs so they end up sounding like mush. Yaesu FTDX-10. Wide-range microphones can sound great, but when applied on SSB as a general rule you may want (A) to add some high-frequency (treble) response to brighten up the pattern, and (B) to roll off some low-frequency energy (bass) particularly if you do DX and contest work. The resistors can be added inside of the battery box for a clean installation. Set Menu #59 and #62 (Carrier Shift) to +50, and Menu #60 and #63 (Carrier Shift with Processor On) to +150. The iC element also works tremendously well with the modern types of Icom rigs, making it an ideal all-around microphone. I have a microphone which has more output on the high frequency range than on the low end, so in order to make it sound balanced I needed to boost the 200 Hz range and cut the 2600 Hz range. #1. You may find it easier to get additional talk power, without distortion, by leaving the processor off and utilizing the 400-2600 Hz transmit bandwidth, perhaps with a little additional mic gain thrown in. If you set the Bandwidth control of the . I had a very bad problem with my Kenwood TS-570SG and MC-60A mike and RF. It rolls off at about 150 Hz on the low side, and it has a few dB of boost at about 2100 Hz, but its response otherwise is very natural, and its large-diameter element provides sparkling highs and beautiful audio that responds very well to the audio adjustment capabilities of todays Icom transceivers. Set Menu 5-9 (TFIL) to 6.0; set Menu 7-7 (SSB-t option) to 100-3100 Hz for fidelity, 300-3100 Hz for DX work. Voices are like snowflakes, no two are alike. eHam.net provides recognition and enjoyment to the people who use, contribute, and build the site. Compression: Adjust for ALC mid-scale on voice peaks. Oddly, the word gain doesn't appear in the text. These are our recommendations. Usual mic gain will be set between 65 to 80. ); in this case, set the MAIN: MIC SEL selection to RP (Rear Panel). The next step is to turn off the Noise Blanker and any DSP Noise Reduction systems, as well as any DSP bandwidth or shaping features such as Yaesus Contour control). Whoever is listening is going to add their interpretation of "good" sound. Sounds terrible on the product detector as well. DSP Settings | Heil Ham Radio | Amateur Radio Great receiver, full coverage .3 to 30 mHz, works great on AM, the digital modes, a terrific CW transceiver, DSP, etc. Set the MAIN: MIC SEL menu selection to FP (Front Panel). CUT that filter -15 dB Menu 092 Notch or Boost The three band parametric EQ in the FT-950 TX audio stage makes using your favorite microphone much easier to interface. Interesting and well written article. Wide transmit bandwidth. 32 -3. For use on earlier Icom 8-pin (round) equipped rigs, use the HSTA-I8 adapter cable. Now that I'm comfortable with general operation I'd like to tweak some of my settings to improve audio quality (mainly RX, TX sounds good with just mic gain). As mentioned in the Yahoo FT-950 group the 094 EQ 2 Freq does not go below 700Hz on my and other's FT-950's. To build the largest and most complete Amateur Radio community site on the Internet - a "portal" that hams think of as the first place to go for information, to exchange ideas, and be part of whats happening with ham radio on the Internet. for different settings and have multiple transmit profiles for quick access. See pages 13, 17 and 20 of the K3 Operating Manual for more details. Heil Mike Wiring. Never want to see over 50 or 60%. However, the settings are identical, in principle, to those found in the discussion below for the FT- 920. I used a PROC level of 25 and the mic gain to the 11 o'clock position. In this section there is a section for the FTdx-3000. The K3 includes a versatile 8-band transmit equalizer, which is adjusted separately from the receiver equalizer. I swapped out the mic cable with RG-174 and connected the mic cable's braid to the 8-pin connector's shell instead of the mic ground pin. Note that power output meter will show lower power as bandwidth is increased; this is normal, reflecting lower power density per Hertz of passband.FT-1000MP Series (including Mk-V and Field)Menu 5-9: 6.0Menu 7-7: Set SSB-T to 300-3100 Hz for DX/Contest, 100-3100 Hz for more fidelity.Menu 4-4: Set to OFF while setting Menu 7-7 to your liking, then try each selection (1 through 4) while listening in a separate receiver to see if any of these improve your voice signals characteristics. Sincerely 73 de Clinton Herbert, AB7RG. Looking for "Parametric" Equalizer and "P Parametric" Equalizer settings for my Heil Proset 6 headset with the HC-6 element. FTdx-3000@groups.io | ftdx 3000 mic and processor setings You can make a recording of audio at any stage in the chain and replay it to see if you can demodulate it. for DX AND CONTEST work, These are initial settings to get you started with a great sounding signal. The 200-Watt "D" (Deluxe, fully equipped) as well as the 400-Watt . That sounds like a broadcast station. You may get by with a .68 F or a .47 uF, but anything less (.01 F, .005 F, etc.) All of my homebrew mic adapters connect both the mic cable shield and the footswitch ground lead to the shell of the 8-pin connector instead of the mic ground and PTT ground pins. Set the TX BW to 400 -2600Hz for DX/Contest work. Mike The all-important issue is the third filter where you achieve speech articulation. Internal EQ Settings in PowerSDR: EQ 10 Band (internal settings) External EQ recomended. You will perhaps want to change the frequencies of the first two filters if you are using an HC 4 or HC 5 element which is much narrower in response than the above microphones but start hear and see how this affects your transmitted signal. My guess is Yaesu will assist with their hand mic but you'll be on your own with the Heil . For ESSB operation, you may want to set the lower-frequency selections to positive settings, depending on which microphone you have and your audio sound objectives. Please submit any Amateur Radio related news or stories that you would like to see, here on eHam.net. Thank you for getting this into an 'Article'. You can listen through headphones through the monitor but I have always found it better to listen through headphones through a second receiver while transmitting into a dummy load. To build the largest and most complete Amateur Radio community site on the Internet - a "portal" that hams think of as the first place to go for information, to exchange ideas, and be part of whats happening with ham radio on the Internet. I would try 200 - 2800 first. This is going to reduce that significantly. Michael Salmi. The site will be something of which everyone involved can be proud to say they were a part. We have notched some low end out by setting the transmit bandwidth in the beginning then with the EQ, we reduced some low end (menu 091) and this is always a major problem. Bob Heil introduced me to Parametric Equalizers back in the '70's when he built some custom concert sound racks for my band in his magic little factory in Marissa, IL. Set to 3000. (2.9 kHz) for casual contacts, Mid transmit bandwidth (2.4 kHz) for DX and CONTEST work, Wide Transmit Bandwidth (2.9 kHz. We have explained one filter. FTdx3000 Tx EQ Menu Settings with 4K Tx SSB BW & MH-31 Hand Mic This instantly activates Menu Mode No-048 [DSP MIC EQ].2 Rotate the DIAL to select one of the following equalization choices: OFF: Microphone Equalization Off3 LPF: High Cut (lower frequencies are emphasized)4 HPF: Low Cut (higher frequencies are emphasized)5 BOTH: High/Low Cut (mid-range frequencies are emphasized)6 When you have made your selection, press and hold in the [FUNC] key for one second to save the new setting and exit to normal operation.Menu 016 Carrier Balance -300 to +300 LSB TransmitMenu 017 Carrier Balance -300 to +300 USB Transmit Adjusting These controls will give you a more low response or high response. Bandwidth of 5 Menu 093 Bandwidth Menu 48 DSP Mic EqualizerTo set up the DSP Microphone Equalizer feature: 1 Press and hold in the [DSP] key for one second. When using a dynamic element on rigs like iCOMs, which were designed for electret microphone elements, one must not be afraid to do two things: (1) utilize the full range of Mic Gain available, and (2) turn on the Compression, using the Compression Level control as a secondary Mic Gain control if necessary. Anti-VOX: About 10% or where needed (keep in mind that the speaker level will affect this a lot). For DX you might prefer something else. Now, I am not telling you that this is the end all. Most male vocal power is right in the 500 Hz range. Welcome to Yaesu.com I set my 1200 up using another rigs receiver with a pair of headphones on a dummy load. will not pass any speech audio worth listening to). M 1 Yaesu EQ Settings on Yaesu FTdx 101mp/Ftdx10 You wil see my Settings there and i must say my TX Bandwidth is set to the first Frq is 200Hz and the high cut is 2800Hz so maybe FTdx-101. These had no microphone preamplifier, it was built into the microphone. A friend of mine wrestled with his FTdx101D and PR-781 for a week. FTDX-101D@groups.io | Mike Adjustment The third control of the filter is either - or +. Excellent on SSB, works great on AM and FM and covers the digital modes.For the iC 7300 we recommend theiCMor any of theheadsetswith the iC element. On the GM-4 and GM-5, use only the Narrow element, as the Wide element has too much bass response for this rig. to solid-state driver & final amplifiers changed the nature of the distortion to that of hard clipping. Follow this guide for simple instructions on how to get your rig set up so that you sound great on the air. Last, Heil's cables contain a small jumper wire from mic shield pin of the connector to the shell of the mic. The other contributor was the so-called Pin 1 problem (Google it). I think that many hams do not realize how versatile modern transceivers are in this regard. If Using external EQ, turn internal OFF. Just contact your dealer to get the HSTA-706 Adapter Cable, and the Traveler should work perfectly using the factory default settings on the rig. Selection 2 emphasis high frequencies, while 3 cuts both low and high frequencies, emphasizing mid-range.Menu 25 (MIC GAIN): 85Menu 27 (Compression) 80Menu 64 (T LSB CAR): Set to -100 Hz for rag-chewing, _150 Hz for DX/contest work.Menu 65 (T USB CAR): Set to -100 Hz for rag-chewing, _150 Hz for DX/contest work. There are situations where you may want to use one of the Heil ICM microphones or headsets made for iCOM using the Heil iC element.

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